Scenes Hidden in the Canvas

Art history is full of fascinating stories, but sometimes the most interesting tales are the ones that aren’t immediately obvious. Just like in some movies, Artist have been placing “Easter Eggs” in their paintings for years. Today we are going to explore some of these paintings, and together we can discover the hidden meaning behind them.

The Creation of Adam

The Creation of Adam, by Michelangelo

Outline of the Brain

Michelangelo’s masterpiece, The Creation of Adam, is a profound exploration of both the divine and the human condition, rich with symbolism that invites interpretation. Among the most compelling elements is the discernible outline of a brain nestled within the folds of God’s cloak. This shape has sparked intrigue: does it suggest the divine origin of human intelligence, serving as a reminder of the heavenly gift of reason bestowed upon mankind? Or is it a more pointed commentary, perhaps an admonition directed at the pope, urging him to "use his head"?

Adam’s Position

In this iconic scene, Adam is portrayed as a reclining figure, symbolizing humanity’s potential and open receptiveness to the divine essence of life. His relaxed posture conveys both vulnerability and an innate readiness to embrace the spark of creation. Adam’s outstretched hand, reaching towards God, signifies the intimate connection between the divine and humans, a gesture of longing for enlightenment and understanding.

Figures Around God

Surrounding God are figures that are often interpreted as representations of Eve and the future generations of humanity, born from the union of Adam and Eve. These figures not only reinforce the theme of creation but also highlight the continuity of life and the shared human experience. They frame the moment of divine touch, emphasizing the communal aspect of existence, where life is intricately linked to the act of creation itself.

In The Creation of Adam, Michelangelo masterfully intertwines artistry and philosophy, prompting viewers to reflect on the nature of existence, the relationship between God and man, and the profundity of divine intelligence illuminating human consciousness.

The Last Supper

The Hidden Code in the last supper, Leonardo da vinci

Some theorists believe that the hands of Jesus and the apostles, along with the placement of the bread, form musical notes that create a hidden melody. This intriguing notion invites us to ponder whether Leonardo da Vinci, in all his genius, could have ingeniously embedded a secret song within "The Last Supper." The strategic positioning of every element in this iconic painting raises questions about the intersection of art and mathematics, hinting at an underlying harmony that transcends mere visual beauty.

Da Vinci, known for his meticulous attention to detail and mastery of various disciplines, often sought to fuse science and art. His fascination with music, evidenced by his writings on the subject, may suggest the possibility of a deeper auditory experience encoded within the imagery. The alignment of gestures, expressions, and objects in the composition might indeed resonate with a rhythmic structure, encouraging viewers to explore beyond the surface.

As we contemplate this idea, we are reminded of the power of interpretation in art—how it can evoke sensory experiences that go beyond sight, firing the imagination and inviting a dialogue between the observer and the masterpiece itself. If there is indeed a melody hidden in the folds of the canvas, it speaks to da Vinci's unparalleled ability to weave complexity into simplicity, challenging us to listen with our eyes and feel the music that may echo through the ages.

The School of Athens

The School of Athens, by Raphael

Raphael’s The School of Athens (1509-1511) is indeed a masterpiece that showcases an assembly of great minds such as Plato, Aristotle, and Socrates, celebrated for their groundbreaking thoughts in philosophy and mathematics. Among these illustrious figures, Raphael humbly presents himself as a young scholar, positioned thoughtfully near the far right of the canvas. This inclusion serves not only as a personal statement but also as a reflection of his belief in the continuum of knowledge, suggesting that art and philosophy are intertwined threads in the tapestry of intellectual pursuit. His gaze towards the viewer encourages us to recognize the importance of creativity in contributing to the ongoing dialogue among scholars and thinkers throughout history. This subtle nod to his own identity in the context of such eminent company underscores the value of individual vision within the broader narrative of human thought.

Art Mysteries

Caravaggio’s Crime

Self-portrait of Caravaggio

The enigmatic life of Caravaggio is as compelling as the themes he explored through his art. Renowned for his ability to manipulate light and shadow, the Baroque painter captured raw emotion and human experience with a striking intensity. His works often feature dramatic scenes that unsettle the viewer, a reflection of his turbulent life marked by violence and escape.

Two years prior to painting The Beheading of St. John the Baptist, Caravaggio committed a grave crime, taking a life in what can only be described as a burst of fatal impulse. The artist fled to Malta, seeking refuge from the consequences of his actions. Ironically, during this period of fleeing justice, he was commissioned to create one of his most significant works. It is a powerful irony that in a state of desperation, he produced a piece that would become emblematic of his career.

What adds an extra layer of mystery to The Beheading of St. John the Baptist is the story of its completion. Caravaggio, who had long been embroiled in moral and legal chaos, signed his name in a manner as strange as his life; in the blood of the martyr he depicted. This singular act stands out in the history of art—his only known signature on a canvas, steeped in both symbolism and horror.

Theories swirl around this artwork; some suggest that Caravaggio not only captured a biblical event but allegorized his own descent into darkness. Did he see St. John as a reflection of himself, both victim and perpetrator? The ambiguity of intention in his art only enhances its allure, compelling art lovers to confront not just the aesthetic experience but the tumultuous psyche of the man who created it.

In seeking to unravel the complexities of Caravaggio's life and art, one is left with more questions than answers. The true nature of his guilt and the extent to which it informed his work remain elusive—just as the artist himself eluded capture. What is indisputable, however, is the indelible mark he left on the canon of art history, steeped in the shadows of both murder and genius.

Death of an Artist

Van Gogh self portrait

The circumstances surrounding Vincent van Gogh's death in July 1890 have long captivated historians and art enthusiasts alike, igniting debates over whether his demise was a tragic suicide or the result of foul play. Conventional narratives suggest that van Gogh's battles with poverty and profound mental health issues culminated in an act of self-destruction as he succumbed to the weight of his despair.

However, a closer examination reveals several inconsistencies that challenge the widely accepted theory. Notably, the weapon purportedly used in his death—a revolver—was never located, raising questions about the details of the incident. Additionally, eyewitness accounts recount that van Gogh encountered a pair of local teenagers just prior to the incident, who had reportedly been teasing him. Such testimony opens the door to speculation that van Gogh may have been the victim of a violent act rather than the perpetrator of his own fate.

Another theory posits the possibility of an accidental shooting, perhaps orchestrated in a moment of misconduct during the confrontation with the teenagers. This notion further complicates the narrative surrounding his death, suggesting that the true story may never fully come to light.

Ultimately, irrespective of the circumstances of his passing, the art world lost a visionary in van Gogh—a man whose innovative approach to color, form, and emotional expression would forever alter the course of modern art. His legacy endures, inviting continued reflection on the intersection of genius and suffering, and the profound impact he made within the realm of post-impressionism.

Who is Banksy?

Bethlehem, Israel painting

The enigma of Banksy encapsulates a unique blend of artistry and anonymity that captivates audiences worldwide. Emerging in the 1990s, Banksy's satirical graffiti has become a compelling commentary on society, politics, and culture, primarily manifesting in the vibrant streets of England. Although the works themselves testify to Banksy’s existence, the true identity of the artist remains shrouded in mystery, sparking endless speculation and intrigue.

Speculation surrounding Banksy's nationality leans towards British, given the geographical prevalence of their art. However, the lack of concrete evidence regarding the artist's identity allows room for imagination and endless theories. While some fervently seek to uncover the truth, a significant segment of Banksy's admirers argue that the mystique surrounding their identity enhances the allure of their work. This anonymity not only fosters intrigue but also serves as a protective shield, particularly given the politically charged nature of some pieces that could attract unwarranted scrutiny or repercussions.

There is a certain exhilaration in contemplating that the stranger next to you might be the very artist whose commentary challenges societal norms, provoking thought and dialogue through their vibrant art. This notion, that the face behind the famous stencil could be anyone—from a neighbor to a barista—adds an element of thrill to the urban landscape. Ultimately, some mysteries, including that of Banksy, are perhaps best left unsolved, allowing the art itself to remain the focal point of exploration and admiration.

Mona Lisa’s Smile

The Mona Lisa

the Mona Lisa, Leonardo da Vinci’s most celebrated masterpiece, stands as a testament to the intrigue and depth of Renaissance artistry. Her enigmatic expression, delicate smile, and seemingly sentient gaze captivate viewers, evoking a myriad of interpretations and emotions. One cannot help but feel the pull of her eyes, which appear to follow one throughout the room, as if assessing secrets buried deep within the observer’s soul.

The identity of this elusive woman has sparked debate and fascination for centuries, with prevailing theories suggesting she is Lisa Gherardini, the wife of a Florentine merchant. This revelation adds a layer of poignancy to her portrait, elevating her from mere subject to a symbol of universal beauty and mystery.

Contemporary scientific methods, such as infrared imaging, grant us unprecedented access to da Vinci’s creative process. These techniques unveil the layers beneath the surface, revealing initial sketches and alterations that illuminate the artist's meticulous approach. Each brushstroke and revision invites us deeper into the mind of a master.

Should you find yourself at the Louvre, take a moment to contemplate the Mona Lisa's enigmatic presence. Engage with her smile and strive to unravel the mysteries of her gaze; perhaps, in doing so, you will grasp the essence of what has entranced humanity for generations.

Girl with The Pearl Earring

The girl with the pearl earring

While not as widely recognized as the Mona Lisa, the enigmatic figure of the Girl with a Pearl Earring continues to capture the imagination of art enthusiasts and casual observers alike. Painted by the Dutch master Johannes Vermeer around 1665, this captivating portrait speaks volumes despite her lack of a smile. The girl's direct gaze, framed by a striking turban and a luminous pearl earring, invites viewers into a moment of intimate connection, rendering her both relatable and mysteriously distant.

The allure of the Girl with a Pearl Earring is amplified by the ambiguity of her identity. Unlike the well-documented life of Lisa Gherardini, the muse behind the Mona Lisa, the true identity of Vermeer’s subject remains a tantalizing mystery. Scholars and admirers have speculated on her origins, suggesting she may have been a family member, a model, or even a romantic interest of Vermeer. However, none of these theories have been definitively proven, leaving the enigma intact.

Vermeer himself is a figure shrouded in intrigue, with little known about his personal life. This lack of detail invites romantic notions—was the girl a silent confidante, a fleeting love, or perhaps a daughter destined to become the subject of an immortal masterpiece? The absence of concrete information allows each observer to project their interpretations, ensuring that the girl continues to resonate throughout the ages.

Ultimately, the enduring fascination with the Girl with a Pearl Earring lies not solely in her visual appeal but also in the mystery that surrounds her existence. In this way, she occupies a unique space alongside the Mona Lisa, forever inviting inquiry and contemplation, and urging us to reflect on the nature of beauty, connection, and the stories that remain unwritten.

Art History (but don’t quote me on that)

 

  When we look back on history we just hear the boring sides.  The part of history that is important but I like the juicy pieces of history. The funny parts of history...

Some juicy gossip on famous artist!

Michelangelo:

Notoriously grumpy & unsociable: Once wrote a poem complaining about his back pain from painting the Sistine Chapel, comparing himself to a "Syrian Bow"

Michelangelo : To Giovanni da Pistoia

1509

I've already grown a goiter from this torture, 

hunched up here like a cat in Lombardy

(or anywhere else where the stagnant water's poison).

My stomach's squashed under my chin, my beard's 

pointing at heaven, my brain's crushed in a casket, 

my breast twists like a harpy's. My brush, 

above me all the time, dribbles paint 

so my face makes a fine floor for droppings!

My haunches are grinding into my guts, 

my poor ass strains to work as counterweight, 

every gesture I make is blind and aimless. 

My skin hangs loose below me, my spine's 

all knotted from folding over itself.

I'm bent taut as a Syrian bow. 

Because I'm stuck like this, my thoughts 

are crazy, perfidious tripe:

anyone shoots badly through a crooked blowpipe.

My painting is dead.

Defend it for me, Giovanni, protect my honor.

I am not in the right place - I am not a painter. 

The Case of the Missing Nipple:

A wealthy (and slightly blind) patron commissioned a grand biblical scene.  Upon the unveiling, he loudly exclaimed "Magnificent! but why does Saint Peter have three nipples?" Michelangelo with a sigh, blamed it on lighting. 

Leonardo da Vinci:

Was a notorious procrastinator - Which in today's society would be called ADHD: Many of his projects, including some famous paintings, were left undone.  Further proof he was ADHD...

The Mona Lisa:

While painting the Mona Lisa he got distracted by a passing butterfly, and invention idea, and then the sudden urge to dissect a frog...The Mona Lisa's enigmatic smile?  Or her just waiting patiently patiently.

Jean-Honore Fragonard

The Swing:

Fragonard "The Swing" was almost a disaster.  The Patron wanted a painting of his mistress swinging, while he hid in the bushes to watch her.  The Patron nearly fell out, revealing more than intended.  Fragonard, with quick thinking, added a conveniently placed brush to cover the mishap.  Imagine the baron's face when he realized his "secret" rendezvous was immortalized in paint, complete with a strategically placed shoe flying off. (that at the time was risqué) One wonders if his wife ever saw it. 

Changes to the Swing:

The bishop in the original commission was changed from a young to an old man, which is still quite humorous. 

Claude Monet:

• Very particular about his garden , he would get extremely upset if anyone touched his flowers.

• Known for his very elaborate and strange hat collection. 

• As Monet aged, his eyesight deteriorated due to cataracts.  This affected his perception of color.  Some art historians believe it contributed to the increasingly abstract quality of his later works.  So, those blurry water lilies? Maybe his eyesight was just bad that day. 

The Publics Confusion:

A confused art critic, upon seeing Monet's  "Impression, Sunrise," exclaimed "Is this a painting, or a blurry photograph? I think my glasses are dirty!" The public agrees, initially.

Monet's Garden Mishap:

Obsessed with capturing the fleeting light in his garden, he trips over a gnome, falls into his pond, and emerges dripping wet, declaring "Perfect! The water's reflection!"

Michelangelo Merisi da Caravaggio

The master of dramatic lighting and even more dramatic behavior, offers a treasure trove of funny (and often scandalous) facts:

• He was basically the rockstar of the Baroque era, complete with temper tantrums and legal troubles.  Imagine him throwing paint pots instead of a guitar.

• Known for using real people for reference models, often from the streets. He used prostitutes as models for his religious paintings. 

• His temper was infamous.  He was involved in many brawls, even killing a man in a duel.  After killing a man, he spent the rest of his life on the run, painting masterpieces in dingy taverns constantly looking over his shoulder. 

• "You don't like the shadows in my paintings! En Garde!" I can imagine art critics trembling at the thought of giving him a bad review. 

Gian Lorenzo Bernini:

• Known to have a very dramatic flair and would often act out the poses he wanted in his sculptures.

• He was known for his confidence and sometimes arrogant personality.  Often taking on several projects at once, sometimes getting his blueprints mixed up.  He built a theatrical stage in a church on accident, where he later added a statue on. 

Frida Kahlo:

• She had a very dark sense of humor & she enjoyed shocking people.

• Known for throwing very lively and eccentric parties.

• Frida Kahlo famously embraced her unibrow and light mustache as a deliberate rejection of European beauty standards and a celebration of her own identity, particularly her Mexican heritage and her unique features. 

Andy Warhol:

• Known for his very strange wigs, he once said "If you wear a wig, everybody notices.  But if you then dye the wig, people notice the dye."

Also, known for his deadpan humor and enigmatic pronouncements.  He often gave cryptic or nonsensical answers in his interviews, leaving people wondering if he was serious or just being playful.  This made him very difficult person to interview and added to his mystique. 

Now saving the best for last....

Salvator Dali

• Dali owned a lobster phone.  One day he tried to make a phone call using his lobster phone.  The operator, understandably confused, hangs up. Dali, unfazed declares its "successful communication with the subconscious."

• He walked an Anteater on a leash in Paris... yes, and Anteater.

• He had a very public fear of grasshoppers.

• He was known also for his very elaborate and strange public appearances.

• He owned an ocelot named Babou, which he took to restaurant bills by drawing on the back of the check. Restaurants were often too eager to own an original Dali sketch, to even cash them. 

• That time he tricked Yoko Ono out of 10,000.00.  Yoko Ono paid 10K for a hair from Dali's mustache, he ended up sending her a blade of grass instead.